'Super 8': Box Office Lame? | YA Fiction Is Just Fine | Shakespeare in the Park

Tuesday, June 7, 2011

6/7/11


Movies \| TV \| Music \| Video \| Books \| Theater \| Art




			Abed From Community Handicaps the Best Comedy Emmy That'd be Abed, not Danny Pudi.



			Hey, Wall Street Journal: YA Fiction Is Just Fine It's so dark! No wonder teens are all cutters these days.



			Spider-Man Still Owes Julie Taymor Six Figures And producers haven't paid up.



			Simon Cowell Talks Cheryl Cole: ‘She Was Out of Her Comfort Zone’ "But when the story got out, it changed everything."


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			Watch Commercial Kings Take On a Cat Hotel Meow.



			Theater Review: Bringing Sexy Back to Off Broadway Scott Brown on 'Lysistrata Jones' and 'Fisheye.'



			Through a Glass Darkly’s Carey Mulligan on Opening Night, the Difficulties of Winding Down, and Ryan Gosling "I wish that I could say I don't read the reviews but I know I'm going to have like four glasses of wine and then be like … 'Google!'"



			The Real Housewives of New Jersey: The Offending Card Is Revealed! "Redone home." "Redone"? What kind of an animal would write such a thing!



			Vulture Premieres Fountains of Wayne’s New Single Hear "Someone's Gonna Break Your Heart."



			Is J.J. Abrams’s Super 8 Headed for Box-Office Disappointment? Four days from its opening, and it's not tracking well.



			Is It Time to Rethink Bradley Cooper? Can his French-language interview help him be seen as more than "that asshole from 'The Hangover'?"



			This Weekend’s Concerts, From My Morning Jacket to Waka Flocka Flame Plus: Drake, Arrested Development, Foo Fighters ...



			The Vaccines’ Justin Young on Surviving the British Buzz Cycle, Avoiding Beef With Liam Gallagher, and Eating Buffalo Balls "I was thinking buying up all the property in or around Detroit. I could become like Trump."



			Comedy Showrunners Talk Twitter, Charlie Sheen, and Politics And much else.

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	Shakespeare in the Park It'll be tough for Shakespeare in the Park to top the hoo-wah surrounding Al Pacino in last year's The Merchant of Venice, a production that jumped to Broadway for a successful run. But All's Well That Ends Well—last seen in the Park in 1993—and Measure for Measure will share a principal cast, and that means twice the chance to see Tonya Pinkins, best known as the force of nature at the center of Caroline, or Change. Put in for a couple of vacation days now, and set your alarm early to get on line. MORE TODAY: reading Ann Patchett theater Sex Lives of Our Parents nightlife Okkervil River